Thursday, November 7, 2019

Aurora Mandolin Orchestra

The San Francisco Public Library is pleased to host the Aurora Mandolin Orchestra for their 12th consecutive performance in the Koret Auditorium on November 10, 2019 at 2pm.

The original Orchestra played in the 1930s. Gino Pellegrini was a member then and restarted the group, as its Director in the 1970s. After his passing in 2006, Gino's wife, Jo took on the role.
The Orchestra  consists of more than 30 members with professional and amateur musicians playing mandolin, mandola, mandocello, guitar, string bass, accordion, flute and percussion, who travel from various parts of the Greater Bay Area for a weekly rehearsal. Their repertoire includes creative arrangements of folk music, semi-classical Italian, Spanish, Russian songs, popular "oldies", contemporary pieces (some taken from familiar musicals), excerpts from operas, and classical orchestra compositions written specifically for mandolin.

In addition, Belle Sorella, the soprano duo, Susie and Nova Jimenez will also perform.

Monday, October 28, 2019

The Painted Over City - Die bemalte Stadt

Die bemalte Stadt: Initiativen zur Veränderung der Strassen in USA; Beispiele in Europe by Horst Schmidt-Brümmer and Feelie Lee from 1973 is a study of street art -- both mural and advertising art. In English the book's title would The Painted City: Initiatives to Change The Streets in the USA; Examples in Europe. It is richly illustrated with photographs from that time, most from California. A good number of the images are from the Bay Area.

The authors present these visual examples from the United States to encourage their European audience to enliven their public spaces.They delight in what they describe as an everyday, colloquial visual language on American streets.  One of the subject headings for the volume is Urban beautification -- United States.

Even through the German text may not be welcoming to many of our readers, the book's photo-documentation is a treat and features a few dozen images of San Francisco scenes, mostly of artwork that disappeared long ago.

One example is an image of the Shandygaff restaurant at 1760 Polk Street (at Washington Avenue).  This establishment was a trailblazer in the health food movement.  According to Inside the California Food Revolution, Shandygaff was where Mollie Katzen of Moosewood Cookbook fame received her training.

The immense lettering on the business's exterior also caused a sensation. Herb Caen remarked:
Shandygaff, that wild-looking new restaurant at Polk and Washington -- the name is in letters about 10 feet high, wrapping around the corner -- is owned by Atty. Rubin Glickman, who let Graphics Designer Marget Larsen really do her eye-popping thing.
The letters actually look like they are 15 feet tall.  Marget Larsen had been the art director for the Joseph Magnin stores and is considered along with Barbara Stauffacher Solomon to have been one of the earliest designers of "supergraphics."

There are other available images of Marget Larsen's design.

For instance from the San Francisco Chronicle of June 27, 1971.

Or through the Design Library Image Collection at North Carolina State University.

The image in Die bemalte Stadt is very clear and well-framed and is a welcome documentation of this significant work of graphic design.

Shandygaff Health Food Restaurant - Vegetarisches Restaurant, Polk St., San Francisco

By 1974 the restaurant replaced Larsen's design with a colorful Timothy Jenk mural depicting nineteenth century agrarian life. The space is still a restaurant today, but it sports a far less audacious copper and orange exterior.

While many of the examples in Schmidt-Brümmer and Lee's book are of commercial graphic art, there are also many instances of community-based murals.  Co-author Feelie Lee also published a photograph of a mural at the Hunters Point No. 2 Elementary School in the California Living Magazine of March 1973.

She contributed a fuller black and white image of the mural in Die Malte Stadt.

Hunters Point II Elementary School - Volksschule, Kiska Road, San Francisco

This untitled artwork was created by Dewey Crumpler in 1972 not long after completing his mural studies in Mexico. He was eager to undertake this project because he had attended this school growing up in Hunters Point.

The work depicts a young man and woman (left and right sides) absorbed in books.  Behind them are images from colossal books of important African-American figures like W.E.B. Dubois, Harriet Tubman, Malcolm X, Dr. Martin Luther King and Muhammed Ali.  Further in the background are sheltering wings of elders who guard this knowledge. Crumpler wished to communicate the "importance of education and wisdom gained over time" (personal communication).

There are young people at the foreground of the mural that regard these volumes and historical figures with awe and reverence.  The photograph from Die bemalte Stadt supplements those painted children with the children of the school. While enjoying their time learning and at play they can also appreciate these inspirational figures.

The Hunters Point II School (image source: San Francisco Historical Photograph Collection)

The Hunters Point II School was originally called the Ridgecrest No. 3 School and opened in 1944.  Like the neighborhood itself, the school was constructed quickly and cheaply to serve armament workers how moved to San Francisco in large numbers from the South.  It was reconstructed in 1953 but was ultimately closed and torn down in 1975.

This work was not mentioned in A Checklist of San Francisco Murals from 1986, but Crumpler does include it among the commissioned works listed on his online resume.

Die bemalte Stadt is valuable to us today because it documents a visual medium and a visual landscape that is frequently destroyed or lost.  Both the Marget Larsen and Dewey Crumpler works discussed here were gone after only a few years, but learning about these works increases our understanding of these artists and of San Francisco society and its art world at that time.

Anderson, Judith, "Murals: A New Way To Dress Up Buildings," San Francisco Chronicle (September 2, 1974).

Caen, Herb, "Just Foolin' Around," San Francisco Chronicle (November 18, 1970).

A Checklist of San Francisco Murals, 1914-1986, edited by Tim Drescher and Victoria Scarlett. (J. Paul Leonard Library, San Francisco State University, 1986).

Goldstein, Joyce and Dore Brown, Inside The California Food Revolution: Thirty Years That Changed Our Culinary Consciousness (University of California Press, 2013).

Isenberg, Alison, Designing San Francisco: Art, Land, and Urban Renewal in the City by the Bay (Princeton University Press, 2017).

Lee, Feelie, "The People's Art Gallery," San Francisco Examiner & Chronicle California Living Magazine (March 11, 1973).

Resume, Dewey Crumpler [website].

Schmidt-Brümmer, Horst and Feelie Lee, Die bemalte Stadt: Initiativen zur Veränderung der Strassen in USA; Beispiele in Europe (DuMont-Schauberg, 1973).

Thursday, October 17, 2019

The Photo Ark

The Photo Ark: One Man's Quest to Document the World's Animals, with photographs taken by Joel Sartore, displays endangered animals in a unique way. Animals are placed in front of either a black or white background with nothing else to distract the viewer. The captions on one facing page or both, identify the animal, and give a rating abbreviation from Extinct (EX,) to Least Concern (LC.)  The key to these ratings is on page 33, directly preceding chapter 1. Introductory writing includes a Forward written by Harrison Ford and the story of how the concept of the book began, by the author.

The first chapter named "Mirrors" shows similarities in very disparate animals. There is a sense of humor in the juxtaposition of the animals on a 2 page spread. One side may be a mandrill with very distinct red and white coloring on its face. On the other page, a beetle with similar coloring on its thorax. In another set of photos a King Vulture faces inward toward the center of the book, a red bump giving it an unusual profile. Directly across from the bird bump is the protuberance of a rhinoceros.

This long chapter of animals "facing off" is broken up by brief explanations entitled "Behind the Scenes" or "Heroes." Four other chapters follow with similarly playful pairing. Back matter includes a brief explanation about how the animals were photographed, with a before and after Photoshop example. Notes on the continuing effort to photograph these animals, about the author and contributors, acknowledgements, and finally an index of all the animals by page number, giving the zoos and locations where the animals are housed, with a URL for curious readers are included.

The photo ark: one man's quest to document the world's animals / Joel Sartore ; foreword by Harrison Ford ; introduction by Douglas H. Chadwick. Washington, D.C. : National Geographic, [2017.]   779.32 Sa773p  

Monday, October 7, 2019

10 Years of the SFAC Galleries Passport Event

The San Francisco Public Library is thrilled to be working with the San Francisco Arts Commission (SFAC) Galleries to present an exhibition celebrating 10 years of SFAC’s annual outreach event, Passport. Launched in 2009, Passport was a family-friendly, art focused, scavenger hunt that fostered an innovative way for artists and the public to interact outside of a gallery setting. The annual event, which has now sunsetted, provided an interactive and affordable way to collect art, raise awareness of the SFAC Galleries and their programs, and use the arts as an economic driver to support small businesses across the city. Over the years, thousands of Passport participants visited vibrant neighborhood venues and collected artwork from over 150 emerging and established artists, as well as works from the estates of Bay Area legends such as Ruth Asawa, Richard Diebenkorn and Roy De Forest. The Library is honored to share with our community SFAC’s display of passport booklets filled with original artist stamps.

Passport was produced by the SFAC Galleries and supported by the SF Office of Economic and Workforce Development.

Banner image: Passport exhibition at the SFAC Main Gallery, 2018. Photo: Phillip Maisel

Currently on view in the Art, Music & Recreation Center
4th Floor, Main Library
Saturday, 9/14/2019 - Thursday, 1/02/20

Sunday, September 22, 2019

Rova Saxophone Quartet LIVE!

The world-renowned Rova Saxophone Quartet has been inspiring and challenging audiences for over 40 years. They are a pioneering avant-garde ensemble that explores the dual paths of composition and collection improvisation. Their music defies genre, exploring post-bop, free jazz, avant-rock and contemporary classical music. The San Francisco Public Library is honored to present a concert of new works by the Rova Saxophone Quartet -- Bruce Ackley – soprano saxophone / Steve Adams – alto saxophone / Larry Ochs – tenor saxophone / Jon Raskin – baritone saxophone. The concert will conclude with a Q&A with the audience.

Saturday, 9/28/2019
3pm -5pm
Koret Auditorium, Main Library

To learn more about Rova, visit the Art, Music & Recreation Center to access Rova Saxophone Quartet's vertical file that houses a variety of articles, program flyers, letters, etc.

                                         Image preview

Tuesday, September 10, 2019

The New Romanian Cinema

At the beginning of 2019, San Francisco Public Library’s Art, Music, and Recreation Department launched World Cinema Time, a program featuring foreign films with English subtitles. The screenings happen once a month on Tuesday evenings in the Koret Auditorium.

Tonight's screening at 5:30 PM will be Romanian director Calin Peter Netzer’s film Child’s Pose, the winner of the Golden Bear award at the Berlin Film Festival in 2013.

Although cinema arrived in Romania at the end of the 19th century, the nation has only begun to make award-winning films in the 21st century with the so-called New Romanian Cinema.  The Death of Mr. Lazarescu directed by by Cristi Puiu which won the Un Certain Regard award at the Cannes Film Festival in France in 2005 opened the floodgates for Romanian films to bag 28 international awards by the end of 2018.

4 Months, 3 Weeks and 2 Days (dir. Cristian Mungiu) became the first Romanian film to win Palme d’Or at Cannes in 2007, and caused a controversy when it didn’t make the Foreign Language Film shortlist for Oscars. This film perhaps remains the Romanian film with the strong reputation.
Scholarship on Romanian cinema is scant by international standards. But a basic keyword search (Romanian cinema) in databases such as Art Full Text and Film & Television Literature Index with Full Text will yield a wealth of information on various aspects of Romanian cinema.

We can recommend the DVDs in our collection:

 4 months, 3 weeks and 2 days (2007)
Child's Pose (2013)
Beyond the Hills (2012)

The way I Spent the End of the World (2006)
Death of Mr. Lazarescu (2005)

12:08 East of Bucharest (2006)

Thursday, July 18, 2019

Main Columns, pt. 2

One of the principal design elements of James Ingo Freed's Main Library building are cylindrical columns located on the east and west sides of the atrium.

A previous entry looked at the positioning of these columns on the west side of the Main Library building.  This entry will look at them on the building's east side.

Columns 6, 7, 10 and 11 extend from the Library's Lower Level and parallel the ceremonial staircase to the west of the atrium.

Only column 11 is visible from the Lower Level, located just outside the door to the restrooms.  The other columns cannot be seen on the Lower Level because they are incorporated into interior walls. It remains visible as it extends to the 1st floor.  On the 2nd floor column 11 is incorporated into the south wall at the entrance to Children's Center

On the 1st floor, columns 7 and 6 are located on both sides of the self-return machine.

Column 10 is placed further back in the sorting area with a metallic covering to protect it from the impact of book trucks.   (Column 11 on the outside of this space).

On the 2nd floor, columns 7 and 6 mark the beginning of the ceremonial staircase.

Columns 11 and 10 are just outside the windows at the entrance to the Children's Center.  Column 11, as noted above is incorporated into the outside wall.

On the 3rd floor, columns 7 and 6 are placed parallel at the rear of the ceremonial staircase.

Columns 10 and 11 behind them are positioned behind a bookcase and in front of the study rooms.

Viewed from the 4th floor phonodisc collection, columns 8 and 9 stand parallel to the staircase and columns 10 and 11 stand close behind computer terminals and in front of the study rooms.

On the 5th floor, columns 6 and 7 are enclosed within a foyer at the top of the stairs.

Columns 10 and 11 stand between a desk and a card catalog and the study rooms.
Here is a view of columns 7, 6 (behind glass) and 10 on the 5th floor facing the staircase.
On 6th floor, columns 10 and 11 have a metallic exterior and line the windowed wall to the Rooftop Terrace.

Their partners, columns 6 and 7 are spaced within the 6th floor's Rooftop Gallery.

Columns 8, 9, 12, 13 and 14 will be discussed in a later entry.

Previous entries:

The Altes Museum and the Main Library (March 6, 2019)

Rotunda Resonances in the San Francisco Main Library (March 25, 2019)

 Labrouste's Libraries, Structural Columns and the Main Library (May 9, 2019)

Main Library Columns, pt. 1 (June 13, 2019)