Just like the crescendo in Ravel’s Bolero imposes itself onto the
listener’s ear, the rising popularity of soccer (football for the rest
of the world) in the USA is an undeniable fact. American fans have
finally joined a global phenomenon. It is one thing to support the
American team for as long as it is in the running, but also equally
important to have several alternative favorite teams. As soon as Brazil
was crushed by Germany in one of the quarter finals, newly initiated
American fans had to decide who to root for not only between Argentina
and Netherlands, but also who to root for in the final since Brazil is
not going to be there. Do we support Messi’s team or Klose’s? That is the
question weighing on our minds. Such is the world of soccer.
It
may come as a surprise to many to learn that the USA not only took part in
the first World Cup held in 1930 in Uruguay, but the team also managed
to reach the semi-final against Argentina, which it lost 6-1. Team USA
won Bronze and that remains her best to date. In 2002, USA managed to
reach the quarter final when they lost to Germany 2-1. In 2014, the USA
also reached the knock-out stage.
Just like any other
major international game, soccer has a rich history that includes
rivalries between teams, players' personal achievements, global
superstars such as Pele and Maradona, and statistical wonders. Brazil
has won the most world cups (5) followed by Italy (4) and Germany (3).
2014 is the first World Cup where two teams from the continent of Africa
have advanced to the knock-out stage.
San Francisco
Public Library boasts of a good collection of circulating books on the
subject as well as numerous reference resources. Explore some of the
titles below, or perform a broader search in the catalog under the terms
World Cup (Soccer) and Soccer for additional materials. Other useful headings for players include: Soccer - Training, Soccer - Rules, and Soccer - Coaching.
General Reference
The official rules of soccer.
The World Cup : the complete history / Terry Crouch.
The complete encyclopedia of soccer / Keir Radnedge.
A history of the World Cup, 1930-2010 / Clemente Angelo Lisi.
High Interest Materials
2014 FIFA World Cup Brazil official book.
The ball is round : a global history of soccer / David Goldblatt.
Inverting the pyramid : a history of football tactics / Jonathan Wilson.
Outcasts united : a refugee soccer team, an American town / Warren St. John.
Finding the game : three years, twenty-five countries, and the search for pickup soccer / Gwendolyn Oxenham.
Soccer in sun and shadow / by Eduardo Galeano ; translated by Mark Fried.
Soccernomics : why England loses, why Germany and Brazil win, and why the US, Japan, Australia, Turkey-- and even Iraq-- are destined to become the kings of the world's most popular sport / Simon Kuper and Stefan Szymanski.
The big fix : the hunt for the match fixers bringing down soccer / Brett Forrest.
Soccer men : profiles of the rogues, geniuses, and neurotics who dominate the world's most popular sport / Simon Kuper.
Soccer against the enemy : how the world's most popular sport starts and stops wars, fuels revolutions, and keeps dictators in power / Simon Kuper.
The rough guide to cult football / edited by Andy Mitten ; with contributions by Joe Ganley ... [et al.]
Collected Essays
The global game : writers on soccer / edited by John Turnbull, Thom Satterlee & Alon Raab.
The thinking fan's guide to the World Cup / edited by Matt Weiland and Sean Wilsey.
By Region
Africa united : soccer, passion, politics, and the first World Cup in Africa / Steve Bloomfield.
African soccerscapes : how a continent changed the world's game / Peter Alegi.
Tor! : the story of German football / Ulrich Hesse-Lichtenberger.
Morbo : the story of Spanish football / Phil Ball.
Winning at all costs : a scandalous history of Italian soccer / John Foot.
Pay as you play : the true price of success in the Premier League era / Paul Tomkins, Graeme Riley & Gary Fulcher ; introducing the transfer price index.
Ajax, the Dutch, the war : the strange tale of soccer during Europe's darkest hour / Simon Kuper.
Video Highlights
FIFA fever [videorecording] : celebrating 100 years of FIFA soccer
World Cup Soccer highlights, 1966-1974 [videorecording] / director, Philippe Scanff.
World Cup Soccer highlights, 1978-1986 [videorecording] / director, Philippe Scanff.
World Cup Soccer highlights, 1990-1998 [videorecording] / director, Philippe Scanff
World Cup Soccer highlights, 2002 [videorecording] / director, Philippe Scanff.
Friday, July 11, 2014
Saturday, July 5, 2014
Merola Goes to the Movies: A Streetcar Named Desire
Departing from this series’ usual presentation of filmed operas, tomorrow Merola Goes to the Movies presents a special screening of the classic 1951 film of Tennessee Williams’ A Streetcar Named Desire, starring Marlon Brando and Vivien Leigh. The screening is in conjunction with Merola’s July presentation of André Previn’s opera based on this work. Tomorrow's attendees are invited to enter a drawing for free tickets to see the opera July 10th and 12th at the Everett Auditorium (450 Church Street) in San Francisco. For more information, visit www.Merola.org.
A brief pre-screening talk by a Merola representative will give you interesting information about the making of the film and the opera. The speaker will most likely touch upon Previn’s very successful first career as a Hollywood film score composer, working on Gigi (1958), Porgy and Bess (1959) and My Fair Lady (1964). Additionally, this opera was commissioned by the San Francisco Opera Association and premiered in 1998, so one can also expect to hear details of its inception and debut.
Please join us. Doors open and seating begins at 12:30.
About the film: After losing her home and her job, delusional southern belle Blanche DuBois arrives in New Orleans, taking a streetcar named “Desire” to live with her sister Stella and Stella’s brutish husband Stanley. Sexual tension quickly develops between Blanche and her brother-in-law—until slowly her dark secrets and lies come to light. Winner of four Academy Awards, don’t miss this cinema classic where the lines between fantasy and reality blur, with tragic consequences.
A brief pre-screening talk by a Merola representative will give you interesting information about the making of the film and the opera. The speaker will most likely touch upon Previn’s very successful first career as a Hollywood film score composer, working on Gigi (1958), Porgy and Bess (1959) and My Fair Lady (1964). Additionally, this opera was commissioned by the San Francisco Opera Association and premiered in 1998, so one can also expect to hear details of its inception and debut.
Please join us. Doors open and seating begins at 12:30.
About the film: After losing her home and her job, delusional southern belle Blanche DuBois arrives in New Orleans, taking a streetcar named “Desire” to live with her sister Stella and Stella’s brutish husband Stanley. Sexual tension quickly develops between Blanche and her brother-in-law—until slowly her dark secrets and lies come to light. Winner of four Academy Awards, don’t miss this cinema classic where the lines between fantasy and reality blur, with tragic consequences.
Thursday, July 3, 2014
The 77th Annual Stern Grove Festival
With one of San Francisco’s best free summer concert series currently underway, the AMR Department wants to remind you of your free access to Hoopla, with use of your library card, PIN and a registered Hoopla account. Research the show before you go (or catch up on music you missed) by listening to the following artists (listed in bold) with albums found in Hoopla.
Get out and enjoy some music! All concerts take place Sunday at 2 p.m. at Sigmund Stern Grove, 19th Avenue and Sloat Boulevard.
6/22
Smokey Robinson
Patti Austin
6/29
Allen Stone
Yuna

San Francisco Symphony at Stern Grove, courtesy of sterngrove.org
7/6San Francisco Symphony
7/13
Funky Meters
Sugar Pie Desanto
7/20
Pupy y Los Que Son Son
Vieux Farka Toure
7/27
Rufus Wainwright
Quartet San Francisco
8/3
Andrew Bird and The Hands of Glory
Todd Sickafoose’s Tiny Resistors
8/10
Darlene Love
Monophonics
8/17
Sergio Mendes
Locura
8/24
The Zombies
Vetiver
Related Blog Entry:
Stern Grove Festival: Celebrating 75 Years In Concert With Nature [Monday, July 16, 2012]
Labels:
databases,
music,
music festivals
Tuesday, July 1, 2014
Bobby Womack's I Left My Heart in San Francisco
With Friday’s passing of legendary R&B recording artist Bobby Womack, the press is ablaze with obituaries and accounts of his contributions to popular music. They are many, but San Francisco residents may be most interested to learn of his unique, funked up interpretation of I Left My Heart in San Francisco, a detail The San Francisco Chronicle obituary failed to mention. Released about six years after Tony Bennett’s, Womack’s version charted on the Billboard R&B in 1969, the same year the song was selected as our City Song.*
The library has copies of Womack’s moderately-hard-to-find autobiography entitled: Midnight Mover: My Autobiography: The True Story of the Greatest Soul Singer in the World (due for reprint in November 2014). Hoping to learn why Womack chose to record I Left My Heart in San Francisco, I picked up his book and was met with so many great stories. It is a fun and fascinating recounting of his musical education and collaborations with the greatest musicians of the Rhythm and Blues, Doo-Wop, Funk, and Rock genres. Some of my favorite details from the book include:
Womack learned his exceptional, left-handed and upside-down, guitar playing style in the family gospel group the Womack Brothers, lead by their father Friendly Womack. His father’s guitar (obtained in exchange for four haircuts) was strictly off limits to his sons, but they would sneak the instrument and play to the radio when their father was at work. Young Bobby’s skill was discovered one day when he replaced a broken string with a shoelace and presented it to his dad hoping he wouldn’t notice. Instead of being angry he was thrilled by his son's talent.
Sam Cooke was Bobby Womack’s greatest mentor and it was he who arranged for the five Womack Brothers to tour with the James Brown revue. This experience, which Womack describes as a musical boot-camp, plus his long term-relationship with Cooke instilled a professionalism that Womack prided himself upon throughout his life.
As a session musician with Memphis’ American Sound Studios, Womack collaborated on such iconic albums as Aretha Franklin’s Lady Soul, Dusty Springfield’s Dusty in Memphis and Elvis Presley’s Suspicious Minds. As a songwriter, Womack influenced Wicked Wilson Pickett’s career by collaborating on over seventeen songs including I’m a Midnight Mover, She’s Good to Me and I’m Sorry About That. Womack also co-wrote and recorded It's All Over Now, the song that only a month later the Rolling Stones covered, earning them their first UK No 1 hit.
Stories include the inspiration behind Janis Joplin’s song Mercedes Benz just before her death. (After a recording session too drunk to drive, Joplin left her Jaguar behind and got a lift in Womack’s Mercedes. As they drove, the stream of lyrics came to Janis and she insisted on a ride back to the studio where, with most of the band now gone, she recorded the song. The next day she was dead.) There are also tales of touring with another left-handed guitarist--Jimi Hendrix, to recording in Ike Turner’s lock-down, drug-fueled studio, to the friendship and shenanigans with local artist Sly Stone.
Womack’s legacy as a songwriter is arguably greater than that as a guitarist and singer, so what lead to his cover of I Left My Heart in San Francisco? Well, after working with Wilson Pickett he was simply out of songs and with a Liberty Records album deadline imminent it seemed to be a good solution. At the same time he covered Tony Bennett’s Fly Me to the Moon and the Mamas and the Papas’ California Dreamin’ which were even bigger recording successes. Throughout his life, as often as Womack ‘gave’ hits to other artists, he also interpreted others’ works for his own recordings.
* Please note that I Left My Heart in San Francisco was selected as our City Song in 1969 but fifteen years later, through a leaflet campaign and voting the song San Francisco from the 1936 film of the same name was chosen as the more popular song. Instead of stripping the first of its honor, in 1984, the Board of Supervisors declared a compromise naming two city songs: I Left My Heart in San Francisco is our official City Ballad and San Francisco is our official City Song.
To learn more about Bobby Womack, please enjoy:
Midnight mover : my autobiography : the true story of the greatest soul singer in the world / Bobby Womack with Robert Ashton.
The bravest man in the universe [sound recording] / Bobby Womack. 2012
Everything's gonna be alright [sound recording] the American singles singles 1967-76 / Bobby Womack. 2013
The best of Bobby Womack [sound recording] 2003
High contrast [electronic resource] / Gábor Szabó/Bobby Womack. 2003 (originally released in 1971)
Work with Gorillaz:
Plastic Beach [sound recording] / Gorillaz. 2010
The fall [sound recording] / Gorillaz. 2011
The library’s online database Hoopla also has the following sound recordings: The Poet, The Poet II and Someday We’ll be Free. You will need your library card and PIN, as well as to create a Hoopla account to use this resource. The process is easy.
The library also subscribes to Rock's Backpages which has over forty articles, interviews and album reviews on Bobby Womack. Your library card number and PIN are needed to access.
The library has copies of Womack’s moderately-hard-to-find autobiography entitled: Midnight Mover: My Autobiography: The True Story of the Greatest Soul Singer in the World (due for reprint in November 2014). Hoping to learn why Womack chose to record I Left My Heart in San Francisco, I picked up his book and was met with so many great stories. It is a fun and fascinating recounting of his musical education and collaborations with the greatest musicians of the Rhythm and Blues, Doo-Wop, Funk, and Rock genres. Some of my favorite details from the book include:
Womack learned his exceptional, left-handed and upside-down, guitar playing style in the family gospel group the Womack Brothers, lead by their father Friendly Womack. His father’s guitar (obtained in exchange for four haircuts) was strictly off limits to his sons, but they would sneak the instrument and play to the radio when their father was at work. Young Bobby’s skill was discovered one day when he replaced a broken string with a shoelace and presented it to his dad hoping he wouldn’t notice. Instead of being angry he was thrilled by his son's talent.
Sam Cooke was Bobby Womack’s greatest mentor and it was he who arranged for the five Womack Brothers to tour with the James Brown revue. This experience, which Womack describes as a musical boot-camp, plus his long term-relationship with Cooke instilled a professionalism that Womack prided himself upon throughout his life.
As a session musician with Memphis’ American Sound Studios, Womack collaborated on such iconic albums as Aretha Franklin’s Lady Soul, Dusty Springfield’s Dusty in Memphis and Elvis Presley’s Suspicious Minds. As a songwriter, Womack influenced Wicked Wilson Pickett’s career by collaborating on over seventeen songs including I’m a Midnight Mover, She’s Good to Me and I’m Sorry About That. Womack also co-wrote and recorded It's All Over Now, the song that only a month later the Rolling Stones covered, earning them their first UK No 1 hit.
Stories include the inspiration behind Janis Joplin’s song Mercedes Benz just before her death. (After a recording session too drunk to drive, Joplin left her Jaguar behind and got a lift in Womack’s Mercedes. As they drove, the stream of lyrics came to Janis and she insisted on a ride back to the studio where, with most of the band now gone, she recorded the song. The next day she was dead.) There are also tales of touring with another left-handed guitarist--Jimi Hendrix, to recording in Ike Turner’s lock-down, drug-fueled studio, to the friendship and shenanigans with local artist Sly Stone.
Bobby Womack and Sly Stone, as reprinted from The San Francisco Chronicle
(Photo By Ebet Roberts/Getty Images)
(Photo By Ebet Roberts/Getty Images)
Womack’s legacy as a songwriter is arguably greater than that as a guitarist and singer, so what lead to his cover of I Left My Heart in San Francisco? Well, after working with Wilson Pickett he was simply out of songs and with a Liberty Records album deadline imminent it seemed to be a good solution. At the same time he covered Tony Bennett’s Fly Me to the Moon and the Mamas and the Papas’ California Dreamin’ which were even bigger recording successes. Throughout his life, as often as Womack ‘gave’ hits to other artists, he also interpreted others’ works for his own recordings.
* Please note that I Left My Heart in San Francisco was selected as our City Song in 1969 but fifteen years later, through a leaflet campaign and voting the song San Francisco from the 1936 film of the same name was chosen as the more popular song. Instead of stripping the first of its honor, in 1984, the Board of Supervisors declared a compromise naming two city songs: I Left My Heart in San Francisco is our official City Ballad and San Francisco is our official City Song.
To learn more about Bobby Womack, please enjoy:
Midnight mover : my autobiography : the true story of the greatest soul singer in the world / Bobby Womack with Robert Ashton.
The bravest man in the universe [sound recording] / Bobby Womack. 2012
Everything's gonna be alright [sound recording] the American singles singles 1967-76 / Bobby Womack. 2013
The best of Bobby Womack [sound recording] 2003
High contrast [electronic resource] / Gábor Szabó/Bobby Womack. 2003 (originally released in 1971)
Work with Gorillaz:
Plastic Beach [sound recording] / Gorillaz. 2010
The fall [sound recording] / Gorillaz. 2011
The library’s online database Hoopla also has the following sound recordings: The Poet, The Poet II and Someday We’ll be Free. You will need your library card and PIN, as well as to create a Hoopla account to use this resource. The process is easy.
The library also subscribes to Rock's Backpages which has over forty articles, interviews and album reviews on Bobby Womack. Your library card number and PIN are needed to access.
Labels:
biography,
popular music,
San Francisco
Tuesday, June 17, 2014
Highest Circulating Art, Music and Recreation Center books 2013-4
Memoirs, biographies and interviews make up the vast majority of the top 20 circulating books in the subjects of Art, Music and Recreation this fiscal year. Three titles are holdovers from the top circulating titles of 2012-2013 - Bossypants (number 1 last year), Waging Heavy Peace (number 7 last year) and Rita Moreno (number 22 last year).
There are only two titles without a biographical component. Difficult Men is behind the scenes survey of the changes in television dramas since the 1990s. One title that has defied the trend toward celebrity worship on this list is Knitting Yarns, a collection of writing about knitting and the community of knitters.
The top twenty highest circulating books of the past year:
Simple Dreams: A Musical Memoir by Linda Ronstadt (Simon & Schuster, 2013).
Ava Gardner: The Secret Conversations by Peter Evans and Ava Gardner (Simon & Schuster, 2013).
Bossypants by Tina Fey (Little, Brown and Co., 2011).
Unsinkable: A Memoir by Debbie Reynolds (William Morrow, 2013).
Rita Moreno: A Memoir (Celebra, 2013).
Wild Tales : A Rock & Roll Life by Graham Nash (Crown Archetype, 2013).
Still Foolin' 'Em: Where I've Been, Where I'm Going, and Where the Hell are My Keys? by Billy Crystal (Henry Holt and Company, 2013)
Mo' Meta Blues: The World According to Questlove by Ahmir Questlove Thompson and Ben Greenman (Grand Central Publishing, 2013).
Difficult Men: Behind the Scenes of a Creative Revolution: From the Sopranos and the Wire to Mad Men and Breaking Bad by Brett Martin (The Penguin Press, 2013).
Shirley Jones: A Memoir by Shirley Jones with Wendy Leigh (Gallery Books, 2013).
I Dreamed I Was a Very Clean Tramp: An Autobiography by Richard Hell (Ecco, 2013).
Knitting Yarns: Writers on Knitting, edited and with an introduction by Ann Hood (W.W. Norton & Company, 2014).
Waging Heavy Peace: A Hippie Dream by Neil Young (Blue Rider Press, 2012).
A Story Lately Told: Coming of Age in Ireland, London, and New York by Anjelica Huston (Scribner, 2013).
Light & Shade: Conversations with Jimmy Page by Brad Tolinski (Crown, 2012).
Nothin' to Lose: The Making of KISS (1972-1975) by Paul Stanley, Gene Simmons, & Ken Sharp (It Books, 2013).
Mozart by Paul Johnson (Viking, 2013).
What If...: A Lifetime of Questions, Speculations, Reasonable Guesses, and a Few Things I Know For Sure by Shirley MacLaine (Atria Books, 2013).
Johnny Carson by Henry Bushkin (An Eamon Dolan Book, 2013).
Jim Henson: The Biography by Brian Jay Jones (Ballantine Books, 2013).
Labels:
biography,
film,
knitting,
music,
popular music,
television
Sunday, June 8, 2014
Chimurenga Library - Art, Music and Recreation Center reading list
Chimurenga Library is a collaboration between the San Francisco Public Library, Chimurenga (a South African artistic, cultural organization), the San Francisco Museum of Modern Art and the Yerba Buena Center for the Arts. This building wide exhibition / installation was inspired by the FESTAC '77 festival held in Nairobi.

The Art, Music and Recreation hosts only a subset of this building-wide installation. Like the rest of the library, visitor / view is guided by red masking tape to quotations and to displayed video, images and text. Books from our collection are likewise highlighted with labels hanging from wooden blocks.
More information about the Chimurenga Library installation at the San Francisco Public Library can be found at:
Chimurenga Library tumblr page
San Francisco Public Library webpage
SFMOMA website
Yerba Buena Center for the Arts website
The installation is reviewed at:
SF Weekly blog
Civic Center blog
The Chimurenga Library reading list for the Art, Music and Recreation Center:
African Rhythms: The Autobiography of Randy Weston (Duke University Press, 2010).
Africa Speaks, America Answers: Modern Jazz in Revolutionary Times by Robin D.G. Kelley (Harvard University Press, 2012).
The African Diaspora: A Musical Perspective /edited by Ingrid Monson (Routledge, 2003).
The Beat of My Drum: An Autobiography by Babatunde Olatunji (Temple University Press, 2005).
Black Music by LeRoi Jones (Da Capo, 1998).
Black Talk by Ben Sidran (Da Capo, 1971).
Considering Genius: Writings on Jazz by Stanley Crouch (Basic Civitas Books, 2006).
Craft Traditions of the World: Locally Made, Globally Inspiring by Bryan and Polly Sentance (Thames & Hudson, 2009).
David Adjaye: Making Public Buildings: Specificity, Customization, Imbrication / edited by Peter Allison (Thames & Hudson, 2006).
Earth Matters: Land as Material and Metaphor in the Arts of Africa by Karen E. Milbourne (National Museum of African Art, Smithsonian Institution, 2013).
88: The Giants of Jazz Piano by Robert L. Doerschuk (Backbeat Books, 2001).
The Face of Black Music: Photographs Valerie Wilmer (Da Capo Press, 1976).
Fela: This Bitch of a Life by Carlos Moore (Omnibus, 2001).
Fela: From West Africa to West Broadway / edited by Trevor Schoonmaker (Palgrave / MacMillan, 2003).
Fela: The Life & Times of an African Musical Icon Michael E. Veal (Temple University Press, 2000).
The Female Gaze: Women Artists Making Their World / edited by Robert Cozzolino (Pennsylvania Academy of Fine Arts, 2012).
Fresh Talk, Daring Gazes: Conversations on Asian American Art by Elaine H. Kim, Margo Machida and Sharon Mizota (University of California Press, 2003).
Global Minstrels: Voices of World Music by Elijah Wald (Routledge, 2007).
Great Spirits: Portraits of Life-Changing World Music Artists by Randall Grass (University Press of Mississippi, 2009).
Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul by Craig Werner (Crown Publishers, 2004).
I Got Thunder: Black Women Songwriters on their Craft by LaShonda Katrice Barnett (Thunder's Mouth Press, 2007).
Lives and Works, Talks with Women Artists by Lynn F. Miller and Sally S. Swenson (Scarecrow Press, 1981; 1996).
Multiple Interpretations of Dynamics of Creativity and Knowledge in African Music Traditions: A Festschrift in Honor of Akin Euba on the Occasion of his 70th Birthday / edited by Bode Omojola and George Dor (MRI Press, 2005).
Noise of the World: Non-Western Musicians in their Own Words by Hank Bordowitz (Soft Skull Press, 2004).
Off the Planet: Music, Sound and Science Fiction Cinema / edited by Phillip Hayward (J. Libby, 2004).
Pathways to Unknown Worlds: Sun-Ra, El Saturn and Chicago's Afro-futurist underground 1954-68 by John Corbett, Anthony Elms and Terri Kapsalis (WhiteWalls, 2006).
Photography on the Color Line: W.E.B. Du Bois, Race, and Visual Culture by Shawn Michelle Smith (Duke University Press, 2004).
Radical Sensations: World Movements, Violence, and Visual Culture by Shelley Streeby (Duke University Press, 2013).
Rebel Dance, Renegade Stance: Timba Music and Black Identity in Cuba by Umi Vaughan (University of Michigan Press, 2012).
Recollections, The Detroit years: The Motown Sound by the People Who Made It by Jack Ryan (Glendower Media LLC, 2012).
Signed, Sealed, and Delivered: The Soulful Journey of Stevie Wonder by Mark Ribowsky (John Wiley and Sons, 2010).
Sounds of the Future: Essays on Music in Science Fiction Film by Mathew J. Bartkowiak (McFarland & Co., 2010).
The Sound of Stevie Wonder: His Words and Music by James E. Perone (Praeger, 2006).
Space Is the Place: The Lives and Times of Sun Ra by John F. Szwed (Pantheon Books, 1997).
Stevie Wonder: A Musical Guide to the Classic Albums by Steve Lodder (Backbeat Books, 2005).
Sun Ra: Interviews & Essays by John Sinclair (Headpress, 2010).
To Smile in Autumn: A Memoir by Gordon Parks (University of Minnesota Press, 2009).
Tony Allen: An Autobiography of the Master Drummer of Afro-Beat (Duke University Press, 2013).
Undercurrents: The Hidden Wiring of Modern Music by Rob Young (Continuum, 2002).
Weather Bird: Jazz at the Dawn of its Second Century by Gary Giddins (Oxford University Press, 2004).
White Face, Black Mask: Africaneity and the Early Social History of Popular Music in Brazil by Darien J. Davis (Michigan State University Press, 2009).
The Wire Primers: A Guide to Modern Music by Rob Young (Verso, 2009).
A quotation from Randy Weston's autobiography African Rhythms, from the first floor library (image source: Andrea Lo, SF Weekly blog (June 3, 2014))
The Art, Music and Recreation hosts only a subset of this building-wide installation. Like the rest of the library, visitor / view is guided by red masking tape to quotations and to displayed video, images and text. Books from our collection are likewise highlighted with labels hanging from wooden blocks.
More information about the Chimurenga Library installation at the San Francisco Public Library can be found at:
Chimurenga Library tumblr page
San Francisco Public Library webpage
SFMOMA website
Yerba Buena Center for the Arts website
The installation is reviewed at:
SF Weekly blog
Civic Center blog
The Chimurenga Library reading list for the Art, Music and Recreation Center:
African Rhythms: The Autobiography of Randy Weston (Duke University Press, 2010).
Africa Speaks, America Answers: Modern Jazz in Revolutionary Times by Robin D.G. Kelley (Harvard University Press, 2012).
The African Diaspora: A Musical Perspective /edited by Ingrid Monson (Routledge, 2003).
The Beat of My Drum: An Autobiography by Babatunde Olatunji (Temple University Press, 2005).
Black Music by LeRoi Jones (Da Capo, 1998).
Black Talk by Ben Sidran (Da Capo, 1971).
Considering Genius: Writings on Jazz by Stanley Crouch (Basic Civitas Books, 2006).
Craft Traditions of the World: Locally Made, Globally Inspiring by Bryan and Polly Sentance (Thames & Hudson, 2009).
David Adjaye: Making Public Buildings: Specificity, Customization, Imbrication / edited by Peter Allison (Thames & Hudson, 2006).
Earth Matters: Land as Material and Metaphor in the Arts of Africa by Karen E. Milbourne (National Museum of African Art, Smithsonian Institution, 2013).
88: The Giants of Jazz Piano by Robert L. Doerschuk (Backbeat Books, 2001).
The Face of Black Music: Photographs Valerie Wilmer (Da Capo Press, 1976).
Fela: This Bitch of a Life by Carlos Moore (Omnibus, 2001).
Fela: From West Africa to West Broadway / edited by Trevor Schoonmaker (Palgrave / MacMillan, 2003).
Fela: The Life & Times of an African Musical Icon Michael E. Veal (Temple University Press, 2000).
The Female Gaze: Women Artists Making Their World / edited by Robert Cozzolino (Pennsylvania Academy of Fine Arts, 2012).
Fresh Talk, Daring Gazes: Conversations on Asian American Art by Elaine H. Kim, Margo Machida and Sharon Mizota (University of California Press, 2003).
Global Minstrels: Voices of World Music by Elijah Wald (Routledge, 2007).
Great Spirits: Portraits of Life-Changing World Music Artists by Randall Grass (University Press of Mississippi, 2009).
Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul by Craig Werner (Crown Publishers, 2004).
I Got Thunder: Black Women Songwriters on their Craft by LaShonda Katrice Barnett (Thunder's Mouth Press, 2007).
Lives and Works, Talks with Women Artists by Lynn F. Miller and Sally S. Swenson (Scarecrow Press, 1981; 1996).
Multiple Interpretations of Dynamics of Creativity and Knowledge in African Music Traditions: A Festschrift in Honor of Akin Euba on the Occasion of his 70th Birthday / edited by Bode Omojola and George Dor (MRI Press, 2005).
Noise of the World: Non-Western Musicians in their Own Words by Hank Bordowitz (Soft Skull Press, 2004).
Off the Planet: Music, Sound and Science Fiction Cinema / edited by Phillip Hayward (J. Libby, 2004).
Pathways to Unknown Worlds: Sun-Ra, El Saturn and Chicago's Afro-futurist underground 1954-68 by John Corbett, Anthony Elms and Terri Kapsalis (WhiteWalls, 2006).
Photography on the Color Line: W.E.B. Du Bois, Race, and Visual Culture by Shawn Michelle Smith (Duke University Press, 2004).
Radical Sensations: World Movements, Violence, and Visual Culture by Shelley Streeby (Duke University Press, 2013).
Rebel Dance, Renegade Stance: Timba Music and Black Identity in Cuba by Umi Vaughan (University of Michigan Press, 2012).
Recollections, The Detroit years: The Motown Sound by the People Who Made It by Jack Ryan (Glendower Media LLC, 2012).
Signed, Sealed, and Delivered: The Soulful Journey of Stevie Wonder by Mark Ribowsky (John Wiley and Sons, 2010).
Sounds of the Future: Essays on Music in Science Fiction Film by Mathew J. Bartkowiak (McFarland & Co., 2010).
The Sound of Stevie Wonder: His Words and Music by James E. Perone (Praeger, 2006).
Space Is the Place: The Lives and Times of Sun Ra by John F. Szwed (Pantheon Books, 1997).
Stevie Wonder: A Musical Guide to the Classic Albums by Steve Lodder (Backbeat Books, 2005).
Sun Ra: Interviews & Essays by John Sinclair (Headpress, 2010).
To Smile in Autumn: A Memoir by Gordon Parks (University of Minnesota Press, 2009).
Tony Allen: An Autobiography of the Master Drummer of Afro-Beat (Duke University Press, 2013).
Undercurrents: The Hidden Wiring of Modern Music by Rob Young (Continuum, 2002).
Weather Bird: Jazz at the Dawn of its Second Century by Gary Giddins (Oxford University Press, 2004).
White Face, Black Mask: Africaneity and the Early Social History of Popular Music in Brazil by Darien J. Davis (Michigan State University Press, 2009).
The Wire Primers: A Guide to Modern Music by Rob Young (Verso, 2009).
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