Wednesday, March 23, 2016
The Most Borrowed Books in Art, Music and Recreation - March 2015
It's always interesting to learn what books in our subjects have the greatest current appeal to our readers. The most striking thing about this list of most borrowed books is the high percentage are the high number of memoirs by women - 12 out of 20 titles.
The Boys in the Boat isn't a surprising title for the list -- it is presently ranked at number 2 on the San Francisco Chronicle's best-selling nonfiction titles. Patti Smith's books, Just Kids and M Train, remain popular. Interest in Tina Fey's Bossypants has never died down and her friend Amy Poehler's Yes Please tops the list. Greil Marcus's Mystery Train, now in its 6th edition, and H.G. Bissinger's Friday Night Lights, reissued in a 25th anniversary edition, are a perennial favorites.
Perhaps the most unexpected title here is The Art of The Con, which brings the true crime genre to the fine art marketplace. Bohemian Modern is new book on interior design, a genre that always circulates well. The list is rounded out with Barbarian Days, a surfing memoir partially set in San Francisco.
1. Yes Please by Amy Poehler (Dey St., 2014).
2. Hold Still: A Memoir with Photographs by Sally Mann (Little, Brown and Company, 2015).
3. M Train by Patti Smith (Alfred A. Knopf, 2015).
4. Why Not Me? by Mindy Kaling (Crown Archetype, 2015).
5. The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Olympics by Daniel James Brown (Viking, 2013).
6. Reckless: My Life as a Pretender by Chrissie Hynde (Doubleday, 2015).
7. Bossypants by Tina Fey (Little, Brown and Co., 2011).
8. The Art of the Con: The Most Notorious Fakes, Frauds, and Forgeries in the Art World by Anthony M. Amore (Palgrave Macmillan, 2015).
9. Just Kids by Patti Smith (Ecco, 2010).
10. Girl in a Band by Kim Gordon (Dey St., 2015).
11.Mystery Train: Images of America in Rock 'n' Roll Music by Greil Marcus, revised 6th edition (Plume, 2015).
12. Hunger Makes Me a Modern Girl: A Memoir by Carrie Brownstein (Riverhead Books, 2015).
13.Friday Night Lights: A Town, a Team, and a Dream by H.G. Bissinger, 25th anniversary edition (Da Capo Press, 2015).
14. Always Pack a Party Dress: And Other Lessons Learned from a (Half) Life in Fashion by Amanda Brooks (Blue Rider Press, 2015).
15. Bohemian Modern by Emily Henson, photography by Katya de Grunwald (Ryland Peters & Small, 2015).
16. Agnes Martin: Her Life and Art by Nancy Princenthal (Thames & Hudson, 2015).
17. The Rainman's Third Cure: An Irregular Education by Peter Coyote (Counterpoint, 2015).
18. Ivory Vikings: The Mystery of the Most Famous Chessmen in the World and the Woman Who Made Them by Nancy Marie Brown (St. Martin's Press, 2015).
19. I'll Never Write My Memoirs by Grace Jones as told to Paul Morley (Gallery Books, 2015).
20. Barbarian Days: A Surfing Life by William Finnegan (Penguin Press, 2015).
Sunday, March 13, 2016
Sounds of the New Deal: The Federal Music Project in the West
Peter Gough is an assistant
professor of history at California State University, Sacramento and author of Sounds of the New Deal: the federal music project in the west. Please
join us for an author talk, Q&A, and book sales* and signing on Sunday,
March 20th at 1pm.
—all
people—
triumphed
and reshaped America
At its peak, the Federal Music
Project (FMP) employed nearly 16,000 people who reached millions of Americans
through performances, composing, teaching, and folksong collection and
transcription. In Sounds of the New Deal, Peter Gough explores how the FMP’s
activities in the West shaped a new national appreciation for the diversity of
American musical expression. From the onset, administrators and artists debated
whether to represent highbrow, popular, or folk music in FMP activities. Though
the administration privileged using “good” music to educate the public, in the
West local preferences regularly trumped national priorities and allowed
diverse vernacular musics to be heard. African American and Hispanic music
found unprecedented popularity while the cultural mosaic illuminated by
American folksong exemplified the spirit of the Popular Front movement. These
new musical expressions combined the radical sensibilities of an invigorated
Left with nationalistic impulses. At the same time, they blended traditional
patriotic themes with an awareness of the country’s varied ethnic musical
heritage and vast—but endangered—store of grassroots music.
Presentation will be held in the
Latino/Hispanic Community Room, Lower Level of the Main San Francisco Public
Library.
* book sales provided by Friends of
the Library
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