Christopher Columbus statue on August 6, 1957 before it was shipped to San Francisco (source: San Francisco Historical Photograph Collection)
On November 19, 1964, Herb Caen reported in his column:
SENTIMENTAL JOURNEY: A lonely traveler named Vittorio di Colbertaldo arrived here via Pan Am from Indonesia yesterday at 6 a.m. Since his plane to N.Y. (and on to Rome, where he lives) didn't leave till 10 a.m., he had time to kill. So he took a cab to Telegraph Hill, where he stayed for an hour or so gazing at the statue of Christopher Columbus on the plaza below Coit Tower. In 1957, he had sculpted that $50,000 statue in Rome, hadn't seen it since, was pleased to find that "it seems to be happy here."
Recent years have not been happy for Colbertaldo's creation. In 1991 the statue's hands were spattered with red paint by protesters pointing out the decimation of indigenous peoples carried out by him and later explorers. Since then statues of Columbus have prompted protests and vandalism all across America. A month ago (June 18, 2020) the mayor and the Art Commission ordered that San Francisco's Columbus statue be removed from Pioneer Park.
Christoforo Columbo was a native of the Republic of Genoa and a representative of the Crown of Castile when he traversed the Atlantic Ocean. He never set foot upon American soil and could not properly be called an Italian citizen because there was no Italy in his day. Yet he was venerated by American settlers since the 18th century and became an emblematic figure for the Italian-American community.
Columbus was a unifying figure for Italian immigrants trying to highlight their identity within the wider American culture. San Francisco's Italian Heritage Parade traces itself back to "grand processions and festivities" held by the Italian community in 1869 to "celebrate the anniversary of the discovery of America by their fellow countryman."
For many years it was called the Columbus Day Parade. Charles Speroni's photograph of the 1947 celebration shows a spectacle that is very jarring to contemporary sensibilities. We see Italian-Americans variously dressed up as Columbus, missionaries, conquistadors, and as native peoples depicted as Plain Indians in feathered headdresses. Columbus's voyage was conflated with the conquest, civilization and christianization of America.
source: Marysville Appeal Democrat September 23, 1964 [from Newspaper Archive]
A reporter visiting San Francisco's 1964 Columbus Celebration pointed out that his 1492 expedition discovered the Bahamas not America and detected imperialist overtones in the statue: "Many newcomers are startled to find Columbus standing gazing proprietarily toward the Golden Gate." In the 1950s and 1960s Columbus was still a source of national pride for Italians and Americans alike. Scholarship and advocacy during the 1960s also began to paint a very different picture of Christopher Columbus and the European conquest and settlement of the Americas.
The statue of Christopher Columbus was proposed in a presentation to the San Francisco Art Commission on November 5, 1956 by the Consul General of Italy, Pierluigi Alvera. His letter to the Commission referenced support from Mayor George Christopher and "local civic leaders of Italian ancestry." He had Colbertado's design in hand and the backing of the City's Italian-American community who would raise the funds to pay for the statue. The Italian government and the city of Genoa would also contribute to pay the expenses. Alvera claimed that:
Among the people who are interested in this project there is the feeling that an ideal location for the statue would be the panoramic circle at Telegraph Hill, replacing the scattered vegetation that is now at the center of the parking place.
The Dedication of the Christopher Columbus Statue (source: San Francisco Historical Photograph Collection)
The dedication also included a communique from the Vatican City. For the occasion, Pope Pius XII declared:
Because of the many benefits which have derived from the discovery of the new continent, Christopher Columbus can justly be considered a benefactor of mankind. His heroic exploits opened up besides a wide field of expansion for the church. The preachers of the Gospel who accompanied the people that followed him, sent there by the Pontiff, brought to these land the Christian faith…
That is not a widely defended view today. The selection of this statue did generate controversy at the time, but it was not connected to Christopher Columbus's legacy or connections of sculptor Vittori de Colbertaldo to Italian fascisim.
That's the subject of the next blog entry.
The JStor, Newspaper Archive, San Francisco Chronicle Historical, San Francisco Examiner Historical and San Historical Photograph Collection databases were all used in this research.
Bibliography:
"'Blood' On Columbus's Hands," San Francisco Examiner October 13, 1991.
Caen, Herb, "Big Wide Wonderful Whirl," San Francisco Chronicle November 19, 1964.
"The Columbus Celebration -- Grand Procession and Festivities at the City Garden," San Francisco Chronicle October 19, 1869.
"History," Italian Heritage Parade San Francisco [webpage].
"K. of C. Raps Aid To Tito," San Francisco Examiner May 19, 1957.
Keeling, Brock, "S.F. Quietly Puts Statue of Genocidal Explorer Into Hiding," Curbed San Francisco June 20, 2020.
Caen, Herb, "Big Wide Wonderful Whirl," San Francisco Chronicle November 19, 1964.
"The Columbus Celebration -- Grand Procession and Festivities at the City Garden," San Francisco Chronicle October 19, 1869.
"History," Italian Heritage Parade San Francisco [webpage].
"K. of C. Raps Aid To Tito," San Francisco Examiner May 19, 1957.
Keeling, Brock, "S.F. Quietly Puts Statue of Genocidal Explorer Into Hiding," Curbed San Francisco June 20, 2020.
Minutes of Art Commission of the City and County of San Francisco. San Francisco Art Commission, 1956-1957.
Pius XII, "Pope Writes of Columbus," San Francisco Examiner October 13, 1957.
"S.F.'s 'Festa Italiana" To Honor Columbus," Marysville Appeal Democrat September 23, 1964.
Speroni, Charles. “The Development of the Columbus Day Pageant of San Francisco.” Western Folklore, vol. 7, no. 4, 1948. [available in JStor]
Speroni, Charles. “The Development of the Columbus Day Pageant of San Francisco.” Western Folklore, vol. 7, no. 4, 1948. [available in JStor]
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